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Emmanuel de Witte

Dutch 1617-1692 Emmanuel de Witte Gallery

Pintura Identificación::  576
Interior of a Church
enteror de una Iglesia
Boymans van Beuningen Museum, Rotterdam
Boymans van Beunengen Museo, Rotterdam
Dutch 1617-1692 Emmanuel de Witte Gallery

   
 

 

 
   
      

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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691

Pintura Identificación::  7269
Interior of a Church
interior de la iglesia
Oil on wood, 68 x 51 cm Pushkin Museum, Moscow
Óleo en Madera, 68 x 51 cm Pushkin Museo, Moscow
Dutch Baroque Era Painter, ca.1617-1691

   
 

 

 
   
      

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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691

Pintura Identificación::  7271
Interior of a Church
interior de la iglesia
1668 Oil on canvas Museum Boymans-van Beuningen, Rotterdam
1668 Óleo en lona Museo Boymans-van Beuningen, Rotterdam
Dutch Baroque Era Painter, ca.1617-1691

   
 

 

 
   
      

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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691

Pintura Identificación::  7272
Interior of a Church
interior de la iglesia
c. 1660 Oil on canvas, 80 x 66 cm The Hermitage, St. Petersburg
c. 1660 Óleo en lona, 80 x 66 cm Ermita, St. Petersburg
Dutch Baroque Era Painter, ca.1617-1691

   
 

 

 
   
      

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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691

Pintura Identificación::  7273
Interior of a Church
interior de la iglesia
1674 Oil on canvas, 79x 69 cm Wallraf-Richartz Museum, Cologne
1674 Óleo en lona, 79x 69 cm Wallraf-Richartz Museo, Cologne
Dutch Baroque Era Painter, ca.1617-1691

   
 

 

 
   
      

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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691

Pintura Identificación::  56100
interior of a church
mk247 c.1680,oil on canvas,47.25x41 in,120x104 cm,hamburger kunsthalle,hamburg,germany
Dutch Baroque Era Painter, ca.1617-1691

   
 

 

 
   
      

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Emanuel de Witte

(1617 - 1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings. De Witte was born in Alkmaar and learned geometry from his father, a schoolmaster. He joined the local Guild of St Luke in 1636. After a stay in Rotterdam, he moved to Delft and studied with Evert van Aelst. In 1651 de Witte settled in Amsterdam where his first wife, Geerje Arents, died in 1655. He then married a 23-year-old orphan, Lysbeth van der Plas, who exercised a bad influence on de Witte's adolescent daughter. In December 1659 both were arrested for theft from a neighbor.Lysbeth, pregnant, had to leave the city for a period of six years; she lived outside the city walls and died in 1663. Following the arrest of his wife and child, de Witte was forced to indenture himself to the Amsterdam notary and art dealer Joris de Wijs, surrendering all of his work in exchange for room, board, and 800 guilders annually. De Witte broke the contract, was sued by the dealer, and forced to indenture himself further as a result. Several patrons provided de Witte with support, but these relations did not work out well, for he tended to shout at his clients and at people watching him at work in churches. Records tell of his gambling habit and a fight with Gerard de Lairesse. According to Arnold Houbraken, after an argument about the rent, de Witte hanged himself from a canal bridge in 1692. The rope broke and de Witte drowned. Because the canal froze that night, his corpse was not found until eleven weeks later

Pintura Identificación::  89776
Interior of a Church
second half of 17th century Medium oil on wood cyf
(1617 - 1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings. De Witte was born in Alkmaar and learned geometry from his father, a schoolmaster. He joined the local Guild of St Luke in 1636. After a stay in Rotterdam, he moved to Delft and studied with Evert van Aelst. In 1651 de Witte settled in Amsterdam where his first wife, Geerje Arents, died in 1655. He then married a 23-year-old orphan, Lysbeth van der Plas, who exercised a bad influence on de Witte's adolescent daughter. In December 1659 both were arrested for theft from a neighbor.Lysbeth, pregnant, had to leave the city for a period of six years; she lived outside the city walls and died in 1663. Following the arrest of his wife and child, de Witte was forced to indenture himself to the Amsterdam notary and art dealer Joris de Wijs, surrendering all of his work in exchange for room, board, and 800 guilders annually. De Witte broke the contract, was sued by the dealer, and forced to indenture himself further as a result. Several patrons provided de Witte with support, but these relations did not work out well, for he tended to shout at his clients and at people watching him at work in churches. Records tell of his gambling habit and a fight with Gerard de Lairesse. According to Arnold Houbraken, after an argument about the rent, de Witte hanged himself from a canal bridge in 1692. The rope broke and de Witte drowned. Because the canal froze that night, his corpse was not found until eleven weeks later

   
 

 

 
   
      

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Daniel Ridgway Knight

(March 15, 1839 - March 9, 1924) was an American artist born at Philadelphia, Pennsylvania. He was a pupil at the Ecole des Beaux-Arts, Paris, under Gleyre, and later worked in the private studio of Meissonier. After 1872 he lived in France, having a house and studio at Poissy on the Seine. Spring BlossomsHe painted peasant women out of doors with great popular success. He was awarded the silver medal and Cross of the Legion of Honor, Exposition Universelle, Paris, 1889, and was made a Knight of the Royal Order of St. Michael of Bavaria, Munich, 1893, and receiving the gold medal of honor from the Pennsylvania Academy of the Fine Arts, Philadelphia, 1893. His son, Louis Aston Knight (1873 - 1948), is also known as a landscape painter.

Pintura Identificación::  97809
Interior of a church
1652(1652) Medium oil on panel Dimensions 73 x 75 cm cyf
(March 15, 1839 - March 9, 1924) was an American artist born at Philadelphia, Pennsylvania. He was a pupil at the Ecole des Beaux-Arts, Paris, under Gleyre, and later worked in the private studio of Meissonier. After 1872 he lived in France, having a house and studio at Poissy on the Seine. Spring BlossomsHe painted peasant women out of doors with great popular success. He was awarded the silver medal and Cross of the Legion of Honor, Exposition Universelle, Paris, 1889, and was made a Knight of the Royal Order of St. Michael of Bavaria, Munich, 1893, and receiving the gold medal of honor from the Pennsylvania Academy of the Fine Arts, Philadelphia, 1893. His son, Louis Aston Knight (1873 - 1948), is also known as a landscape painter.

   
 

 

 
   
      

Daniel Ridgway Knight
(March 15, 1839 - March 9, 1924) was an American artist born at Philadelphia, Pennsylvania. He was a pupil at the Ecole des Beaux-Arts, Paris, under Gleyre, and later worked in the private studio of Meissonier. After 1872 he lived in France, having a house and studio at Poissy on the Seine. Spring BlossomsHe painted peasant women out of doors with great popular success. He was awarded the silver medal and Cross of the Legion of Honor, Exposition Universelle, Paris, 1889, and was made a Knight of the Royal Order of St. Michael of Bavaria, Munich, 1893, and receiving the gold medal of honor from the Pennsylvania Academy of the Fine Arts, Philadelphia, 1893. His son, Louis Aston Knight (1873 - 1948), is also known as a landscape painter.
Interior of a church

        
 
   
 

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